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The Wild Rag is a larger, more elegant scarf most commonly worn by western range-workers.  It dates back as far as the mid-nineteenth century and is often cited as deriving from neckerchiefs adopted by cavalrymen in the Spanish-American War.

A goal of each Last Chance design is to create something that feels timeless but also super special. I find inspiration from historical references (mostly textiles). One of the most exciting things about looking at these references is spotting similar motifs across different cultures and periods. When I spot these similarities, it’s like a constellation appearing just after sunset– I only have to connect the dots to create something new.

Shaivyya Gupta brings the eye of a fine artist and the soul of everyday Jaipur to her work as a textile designer, consultant and educator.  We caught up with her recently to take a deeper dive into her process and inspirations.

Our Rag Rope Hatbands are made in collaboration with long-time friend of Last Chance Textiles, Jessica Rives.  Jess is dedicated to the craft of upcycling with found and repurposed material.

I want to share with you some of my family's antique braided rag-rugs.  These were made by my great grandmother's from both sides of my family tree.

In celebration of International Womxn’s Day, I’d like to take you on a journey to the river town Maheshwar, India which I had the pleasure of visting last February.

I like the idea one cloth bearing opposite characteristics simultaneously. Especially appealing is when this duality extends the versatility of an item. With this theme in mind, I began to look for more cases of textile double-dealing.