What’s in a name? Probably lots of good stories and feelings, maybe some not much more than abstract notions, attached in all sorts of ways to that thing we’ve named. WWhen I first moved to California I was really struck by the vastness of this American West. That first drive across the country and my earliest explorations of the mountains and deserts were peppered with signs that read: “NO GAS OR SERVICE FOR 100 MILES”. Something about retelling the tale of an empty gas tank with nothing around but empty road, and how you unstuck yourself somehow, will stir up a deep love for the great wide open west.
I find myself making one last stop in the last little town on the edge of wilderness to pick up a box of matches, a fuel canister, some chapstick, or just an unspoken peace of mind that I know where I’m headed. It’s these places that have inspired the name.
A Last Chance to gather the things we rely on, to trust what we’ve got and to be certain those things will be a part of whatever comes down the road.

I want to send these durable little textiles out in the world to be really used, to get dirty, and to prove themselves dependable.
— Lindsey Fout, owner & designer


Lindsey Fout is the Los Angeles based textile designer, researcher, and teacher behind Last Chance Textiles. A native West Virginian, her rural Appalachian upbringing informs the integrity and utilitarian aspects of her work. She designs and crafts in her home studio to harness an experimental and physical practice that echos the historical textile traditions that inspire her designs.

Our Brand

Last Chance Textiles brings original patterns to the most fundamental and quality fabrics. The result is a product that aims to become as indispensable, something you make sure to never leave behind.

Signature bandanas

Our signature bandana, is fabric as pure function that is ubiquitous across generations and cultures. Every bandana features an original hand-drawn pattern. All bandannas are made out west in the USA.

Western heritage reimagined

Original designs, fabrications, and colors are inspired by historical textiles from around the globe. The Last Chance collection reimagines this heritage and infuses it with a practical western sensibility. This creates a product that will stand the test of time and never go out of style. We take pride in making all our product from scratch with transparent and ethical production. You can feel the difference when you get your hands on it! Read more about our full production process here.



Sometimes referred to as “raw-silk”, silk noil yarns are spun from shorter fibers leftover from the spinning and manufacture of other silk fabrics. Silk noil has a varied, nubby texture and matte surface that somewhat resembles cotton. However, this fabric has better drape and visual depth. Silk bandanas make a great travel companion, keeping you comfortable in both hot and cold climates. Silk is a natural, durable, yet biodegradable fiber that has a very low environmental impact. The unique texture in the fiber can feel slightly rough to some at first. The more you wear your bandana, the softer it will become and you’ll quickly be converted. You can read our care instructions here.


All of our silk bandanas are hand-dyed with dyes derived from plants and insects. This process allows us to dye textiles in a way that uses less water, is non-toxic, biodegradable, and draws its incomparable color palette from humble plants and natural sources. All colors are sustainably derived, many from agricultural and food waste products. In order to accomplish this we proudly partner with a US based all natural dyehouse. In addition, several of our colors are “wildcrafted”, meaning we make the dye from wild, foraged sources. Read more about how we forage for wild dyes.



Organic Cotton Cambric is a high quality lightweight fabric originally from the French commune of Cambrai. The weight and drape are similar to a vintage bandana, but more closely woven using longer cotton fibers making it softer and more durable. We are proud to source our organic cotton directly from a family run mill in India. This direct partnership makes our supply chain more transparent and it is important that the mill is GOTS certified. “The Global Organic Textile Standard (GOTS) is the worldwide leading textile processing standard for organic fibers, including ecological and social criteria, and backed up by independent certification of the entire textile supply chain.” Other organically labeled fabrics don’t have the same breadth of accountability. GOTS means it is better for the earth, the workers, and the consumer. Fun Fact: starched cambric was used in the 16th century to make this stylish accessory.


All of our cotton is custom dyed with azo-free dyes. These dyes come in a powdered, water soluble form. Colors can be mixed, tested, and fine tuned- much like an artist would mix watercolor paints. Fiber reactive dyes form a molecular bond with the fiber and therefore they do not require toxic mordants. They also use cooler water and have a high absorption rate. This efficiency and lack of harmful chemicals gives a low-impact rating as determined by Oeko-Tex Standard 100. The strong molecular bond means brilliant wash-fast color with little fading and no crocking. We value this longevity as an important component to LCT’s sustainable values.


Every LCT product begins as a research project, a deep dive into the world of historical textiles. I find this context building integral to the design process. Textiles are significant and intimate objects for humankind, and every corner of the globe boasts a unique textile tradition. I believe these traditions must be respected and the line between influence and appropriation clearly defined and never crossed. By weaving in historical context and culture, I aim to create a thread through time, connecting the past to the future of a well worn bandana. I always try to mesh several references when creating loose sketches of the motifs I want to use. I draw all of my patterns by hand and then bring them onto the computer to work on final layouts and develop color combinations. The result is a thoughtful classic design that will never go out of style.


All of our bandannas are screen printed by hand in Los Angeles using water-based and discharge inks. We rely on a personal relationship with master printers that have operated in LA’s garment industry for over 40 years. Variations in color and print are natural to the hand made process.


We seek to create very little production waste. Our silk and kona cotton bandannas come in slightly under a common 22” bandanna measurement. This is because we use the full width of the fabric and can cut two across. The next larger fabric width available would be too wide and create excess waste. Our handwoven scarves are made just for us, creating no leftovers- note the double selvedge on the finished pieces. When we do accumulate production waste, we do really cool stuff with it, like making these hatbands and teaching people how to make rag rugs! Check our events page to sign up for a class.


Finally, all of our bandanas are washed several times. This eliminates the risk of excess dye bleed and creates a soft, clean textile ready to wear. After washing, all bandanas are pressed, quality checked, and hand labeled in my home studio. Read more about caring for your bandana.